canon m6 mark ii

With the EOS M6 Mark II, Canon has taken its midrange mirrorless game up a notch. Offering the highest-res APS-C sensor on the market, 4K video, super-fast burst shooting and comfortable ergonomics, the M6 II is compact and a real pleasure to shoot with. Get all the details in our full review. The Canon EOS M6 Mark II is a camera designed for enthusiast photographers that was revealed to the public on 2019-09-15 and is equipped with an APS-C sensor. When it comes to the price ( buy Canon EOS M6 Mark II from Amazon ), the Canon EOS M6 Mark II costs $849.33 for body-only and joins company’s APS-C camera line up with a 32.5MP CMOS sensor. CANON EOS M6 MARK II KIT 15-45MM IS STM RESMI - CANON EOS M6 MARK 2 - SILVER RESMI, PAKET D 64GB di Tokopedia ∙ Promo Pengguna Baru ∙ Cicilan 0% ∙ Kurir Instan. Refurbished EOS M6 Mark II Body Black SKU 3611C105 $679.99 Out Of Stock High Image Quality with 32.5 Megapixel CMOS (APS-C) Sensor. High-Speed Continuous Shooting of up to 14 fps with AF/AE Tracking. Dual Pixel CMOS AF with 5,481 Manually Selectable AF Positions*, and Eye AF Servo Support. 4K UHD 30p / Full HD 120p Video. Canon EOS M6 Mark II (Silver) at Amazon for $849 The new powerhouse 32.5MP sensor gives this camera a higher resolution than its big brother, the Canon EOS R. In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C format. canon eos m6 mark ii mirrorless digital camera (silver)- high image quality with 32.5 megapixel cmos (aps-c) sensor, evf-dc2 viewfinder, high-speed continuous shooting of up to 14 fps with af/ae tracking, dual pixel cmos af with 5, 481 manually selectable af positions*, and eye af servo support, 4k uhd 30p/ full hd 129p video, 30fps raw burst … Vay Tiền Cấp Tốc Online. Digital Camera World Verdict Where its predecessor was capable as a compact system camera, the Canon EOS M6 Mark II is a potent primary camera – regardless of category. Its powerhouse sensor sets a new benchmark for APS-C systems, along with ferocious 14fps continuous shooting and uncropped 4K video – all in a truly pocketable body with an optional viewfinder should you so desire. In everything save the mount and sensor size, this is poised to be an EOS R beater. Pros +Monster APS-C sensor+14fps continuous / 30fps burst+Uncropped 4K with Dual Pixel CMOS AF Cons -180° screen, though no articulation-No in-body image stabilization-Native EF-M lenses still limited Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. The original Canon EOS M6 was easy to like, but difficult to love – much like the EOS M line as a whole. With Canon’s APS-C mirrorless camera range having seemingly plateaued at there were only so many bells and whistles that could make the M6 feel exciting – things like 4K video, which were sadly left the M6 with that awkward 'second camera' tag; that it was good enough to be your backup, or the one you took out when pictures weren’t quite as important, but it wouldn’t demand your attention beyond that. Well, you can officially throw that line of thinking out the window – both for the new Canon EOS M6 Mark II and the EOS M series as a whole. With all the tech that comes across our desks, it takes a lot for a camera to impress us these days. The M6 Mark II, however, took us completely by surprise with what it can do, and how capably it can do it. It's one of the best cameras for vlogging right now and certainly one of the best Canon cameras for those who want to go mirrorless. If you want the best camera for filmmaking, however, you may want to set your sights a little higher.• Canon EOS 90D vs Canon EOS M6 Mark II how do you choose?The Canon EOS M6 Mark II retains the 180° vertically tilting touchscreen Image credit FutureThe new powerhouse sensor gives this camera a higher resolution than its big brother, the Canon EOS R. In fact, the M6 Mark II packs more megapixels than any Canon body save the 50MP 5DS/R – not at all bad for the supposedly humble APS-C not only does it outmuscle the EOS R in the resolution stakes, it also outperforms it in a number of other departments – not least its freakish 14 frames per second continuous shooting mode, and the fact that it can shoot 4K video without any crop the two systems side by side, it actually becomes a challenge not to choose the Canon EOS M6 Mark II over its full-frame mirrorless siblings; it’s a more compact camera than the Canon EOS RP, and a more capable camera than the EOS R. While the Canon RF lens roadmap is undoubtedly better curated than the EF-M lineup, both mirrorless formats are still largely dependent on their seamless compatibility with traditional EF lenses. And, that being the case, the new M6 feels more compelling than its bigger brothers…Canon EOS M6 Mark II sample 1/125 sec, f/ ISO100 click top-right for full-size Image credit FutureSpecificationsSensor APS-C CMOS sensor Image processor Digic 8 AF points Dual Pixel CMOS phase detect, 143 / 99 points depending on lens ISO range 100 to 25,600 expandable to 51,200 Max image size 6,960 x 4,640 Viewfinder N/A Metering modes Evaluative, partial, center-weighted, spot Video 4K UHD up to 30fps, 1080p FullHD up to 120fps Memory card 1x SD / SDHC / SDXC UHS-II compatible LCD 3-inch tilting touchscreen, dots Max burst 14fps continuous, 30fps RAW burst mode Connectivity Wi-Fi, Bluetooth, USB-C, Micro HDMI Size x x mm Weight 398g body only, with battery and SD cardThe Canon EOS M6 Mark II features a switch to toggle between manual and autofocus Image credit FutureBuild and handlingThe Canon EOS M6 Mark II is slightly beefier than its predecessor, which measured x x mm and weighed in at 390g, but it remains a micro marvel. Even more so, in fact; for a camera this capable to be packed into a body this small is quite remarkable. However, there’s a temptation to conclude that its pocketable profile means it’s only fit for being a “travel camera” or a “street camera”. And yes, it is very much ideal for both of those things – but a more apt conclusion would be that the M6 Mark II is so small that it can transform the way you shoot, because you simply don’t require the bulky bodied system that you always thought you once again omitting a built-in viewfinder, the Mark II retains the sleek form factor that makes it at once compact for travel, discreet for street photography, one-handable for vlogging, and that perfect Goldilocks-size that’s still substantial enough for proper’ EOS M6 Mark II sample 1/250 sec, f/ ISO200 click top-right for full-size Image credit FutureFar from being a churlish move on Canon’s part, the decision to make the viewfinder an optional extra plays to the M6 Mark II’s strengths. The existing EVF‑DC2 available in a kit with the camera can be kept in a pocket and mounted to the hotshoe as and when required – this keeps the camera pocketable and portable, in a way that the EVF pentaprism would prevent. One of the nifiest additions to the Canon EOS M6 Mark II’s exterior is the new MF / AF toggle switch, filling part of the huge space next to the rear thumb grip. Seemingly superfluous at first, it quickly becomes a valuable part of your muscle memory – particularly with lenses that don’t feature their own an external MF / AF switch. The body features an ever so slightly chunkier grip, which helps it retain balance especially when using adapted EF lenses – something that will almost definitely be required, since the EF-M mount isn’t nearly as well catered for as its EF and RF counterparts. Its magnesium alloy chassis and thermoplastic exterior feel strong and sturdy, though the M6 isn’t an all-weather body and as such it’s not going to take the knocks that a 5D can.• The best EF-M lenses for your EOS M6 Mark IIThe optional EVF‑DC2 comes as part of a kit with the Canon EOS M6 Mark II Image credit FuturePerformanceWe first tried the EOS M6 Mark II in conditions that were far from optimal, in a dimly lit indoor karting track that was somewhat akin to shooting in the basement of a parking lot at night. Even so, the M6 Mark II impressed us. Subsequently we've tried it in more normal outdoor lighting, both for stills and video. The poor lighting certainly tested the ISO performance, while also putting the improved -5EV low light focusing through its paces. With the smaller sensor, noise does start to rear its head when you push beyond ISO1250, and capturing moving subjects at high speed meant that we had to exceed this by some margin. We cranked the ISO all the way up to 6400 for some low light test shots, such as the Budweiser sign, though the circumstances under which you would have to do likewise should be fairly slim. Despite the torrid illumination, the Canon EOS M6 Mark II’s 14 frames per second continuous shooting with continuous AF did a stellar job of keeping up with the action, capturing the cars as they came careening around corners. In fact, in some extremely limited testing, the improved Eye AF tracking even came in useful if drivers’ visors were up, as the camera was quick enough to find and follow EOS M6 Mark II sample 1/4000 sec, f/ ISO6400 click top-right for full-size Image credit FutureFinding focus manually is similarly smooth and simple, either tapping your focus point if shooting on the back screen or using touch-and-drag if using the EVF – a quick and capable replacement for a joystick, though obviously it’s not optimal in environments where cold fingers are less apt to be the lack of full articulation is a pity, the fact that the screen flips 180° does make it more vlogging-friendly – though the 180° display is impeded if you have something mounted on the shoe. This, and the lack of a headphone jack, makes the M6 Mark II less suited to pure video shooting than the Canon EOS 90D – an unfortunate oversight, as the smaller form factor would make this the more obvious vlogging notwithstanding, its 4K video comes up trumps. Not only is the footage uncropped, but the Dual Pixel AF is now fully functional while shooting 4K – and the camera now features clean HDMI output. Crop factors of varying severities can be introduced when using digital image stabilization, which is certainly effective but obviously eats into your composition. Canon EOS M6 Mark II sample 1/200 sec, f/ ISO500 click top-right for full-size Image credit FutureVideoThe EOS M6 Mark II does make a great camera for video, though it's more for the vlogging end of the market than serious filmmaking. It's very compact, it's very light and it's the easiest camera we've tried for gimbal mounting. You can see our sample video face/eye AF is excellent, and worked perfectly for our walking video test. It also has a large AF area 100% vertical x 88% horizontal. The resolution is not directly relevant for video, where the 4K UHD resolution is 3840 x 2160 pixels – a lot less than the full 6,960 x 4,640 pixels for stills – but the M6 Mark II produces decent quality 4K footage regardless, with great color 180-degree flip-screen is useful when you're filming yourself, though it has a tilting mechanism rather than the fully-articulating pivot found on many other Canon it's a fun little camera you can shoot some decent footage with. The buttons and switches are a good size and feel solid, and the menu navigation is easy, as we'd expect from a not all good. The EOS M6 Mark II does not yet shoot 4K at the popular 24fps frame rate which we're told is coming or at 60/50p which isn't. There's no in-body stabilization, so it's just as well it's light and wieldy on a gimbal, there's no zebra pattern exposure warnings, and no headphone jack to monitor the sound. The lack of a headphone jack is a surprise, since the technically similar EOS 90D DSLR does have one – and it's not often you can say a DSLR is better equipped for video than its mirrorless can shoot at a high frame rate in 1080p resolution, but not with continuous autofocus, and you don't get any log profiles either – though normally you'd only expect that in more expensive EOS M6 Mark II is as capable as a stills camera as it is for video, and delivers nice-looking colors. Image credit Alistair Campbell/Digital Camera WorldThe sensor does deliver a little more detail than rival 26/24-megapixel sensors, but the differences aren't huge. Image credit Alistair Campbell/Digital Camera WorldThe EOS M6 II can produced richly detailed black and white images too this image processed to taste. Image credit Alistair Campbell/Digital Camera WorldThe Canon's small size makes it handy for unobtrusive street photography, and the optional clip-on EVF is small enough to keep handy for when you want to switch to eye-level viewing. Image credit Alistair Campbell/Digital Camera WorldLab dataResolutionImage credit FutureWith on tap, it's small wonder that the EOS M6 Mark II comes out on top of its key rivals at lower ISO sensitivities in our resolution test. However, increased image noise at sensitivities past ISO 3200 results in obscured fine detail and eventually the M6 II falls behind its competitors at ISO 12, rangeImage credit FutureThe EOS M6 II delivers an almost identical amount of dynamic range to the Fujifilm X-T30 throughout the tested sensitivity range – no mean feat, as the X-T30 is very strong in this area. However, the new Canon still has some way to go if it's to match the Nikon Z 50's class-leading dynamic range at higher worth noting that any in-camera dynamic range enhancement is disabled for our lab testing in order to get a level playing to noise ratioImage credit FutureOur signal to noise test measures image clarity, specifically the ratio of the actual image 'data' you want to capture, versus the image noise that you don't want, but will inevitably be visible when shooting at higher ISO sensitivities. The higher the score at a given ISO sensitivity, the the higher the pixel density on a imaging sensor, the more image noise is generated at a given ISO sensitivity, putting the Canon at a theoretical disadvantage in this test compared to it's slightly lower resolution these results prove the theory translates to reality, as both the X-T30 and Z 50 come out ahead, and by a fairly wide margin at higher sensitivities. The EOS M6 II does stay ahead of the Sony a6400, which we'd expect given Canon's sensor is a newer architecture than the chip in the Canon EOS M6 Mark II has given new life to the previously flagging EOS M line. We’d even go one step further and offer that the M6 Mark II might be the best mirrorless camera that Canon has yet released. Yes, it lacks the larger sensor and more robust offering of native lenses, but in almost all other respects it is operationally superior to both the EOS R and RP. More megapixels, higher frame-rate, uncropped 4K video… in many respects, this is the camera that its older brothers should have a faster continuous mode than the Canon EOS 90D, it’s arguably a more adept action camera for subjects such as wildlife and sports than its new sibling – though the 90D, somewhat bafflingly, possesses the extra tricks the articulating screen and headphone output that make it more capable for video. The Canon EOS M6 Mark II is a ferocious little performer. A true jack of all trades, but not in a pejorative sense – this camera pumps out high quality pictures and captures crispy 4K video, both of which are worthy of far pricier bodies. Read more • The best EF-M lenses • Canon EOS 90D review • Canon EOS R review • The best Canon camera from DSLR to mirrorless to PowerShot and Ixus Thank you for reading 5 articles this month* Join now for unlimited accessEnjoy your first month for just £1 / $1 / €1 *Read 5 free articles per month without a subscription Join now for unlimited accessTry first month for just £1 / $1 / €1 Alistair is the Features Editor of Digital Camera magazine, and has worked as a professional photographer and video producer. EOS DIGITAL CAMERA LIMITED WARRANTY For The And Canada Only The limited warranty set forth below is given by Canon Inc. Canon in the United States or Canon Canada Inc., Canon Canada in Canada with respect to the Canon brand EOS Digital Camera the “Product” *, when purchased and used in the United States or Canada. The Product purchased with this limited warranty is the only EOS Digital Camera to which this limited warranty applies. Canon Inc. and Canon Canada Inc. collectively "Canon" warrant to the original end-user purchaser, when delivered in new condition in its original container, that the Product will be free from defects in materials and workmanship under normal use and service for a period of one 1 year from the date of original purchase. Product returned to a Canon repair facility and proven to be defective upon inspection will, at Canon’s sole discretion and without charge, be a repaired utilizing new, remanufactured, repaired and/or recycled parts; b exchanged for a new Product or; c exchanged for a refurbished Product, as determined by the Canon repair facility. 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Pros +Good image quality+Speedy performance+Easy to use Cons -No built-in electronic viewfinder-No in-body image stabilization-Slow native lenses Canon EOS Mark II specsSize x x inches Weight oz with battery pack, memory card Sensor size/type APS-C CMOS sensor Shooting speed up to 14fps Max video resolution 3840 x 2160 4K Display tilt touchscreen; million dots Viewfinder optional EVF-DC2 OLED Ports USB Type-C; HDMI Out Type D, Microphone Jack Memory card One SD/SDHC/SDXCCanon’s latest mirrorless camera, the compact EOS M6 Mark II, is built around a 32MP APS-C size sensor—the highest resolution camera in its class. At the same time, the M6 II shares a number of features with its DSLR-sibling, the Canon EOS 90D, including the sensor, image processor, 4K video and Dual Pixel CMOS AF. The Canon EOS M6 Mark II will appeal to enthusiasts as well as snapshot-loving beginners. The former will feel right at home with a solid feature set and customization options. The latter will appreciate the easy to understand menu and helpful modes designed to take the confusion out of basic photographic operations. And, its compact size is a bonus for anyone who wants to travel light. All these attributes make the EOS M6 Mark II one of the best mirrorless cameras and one of the best cameras for vlogging, but we wish it had a viewfinder built vs. mirrorless cameras Which is best for you?Best camerasCanon EOS M6 Mark II Price and availabilityThe Canon EOS M6 Mark II costs $850 body only; no viewfinder; $1099 with the Canon EF-M 15-45mm f/ IS STM and EVF-DC2 viewfinder; $ with the EF-M 18-150mm f3. IS STM lens and EVF-DC2. Browse through our Canon promo codes for the latest discounts and ways to save on your in black or silver, the Canon EOS M6 Mark II measures a compact x x inches without the removable electronic viewfinder. With the battery pack and SD memory card, the camera weighs about ounces. At the same time, the M6 Mark II is solidly built.Image credit Tom's GuideEven with the Canon EF-M 15-45mm f/ IS STM kit lens, the combination remains fairly compact, especially when the lens is retracted. A small switch on the lens barrel locks/unlocks the zoom function. If you forget to unlock it, a reminder shows up on the LCD and you can’t take a picture until you move the switch and zoom the lens. This design is not uncommon and while it’s an extra step, it’s worth it to keep the lens as low profile as EOS M6 Mark II ErgonomicsHow a camera feels in-hand is important, but is even more significant with smaller cameras like the Canon M6 II. With the exception of the removable/optional electronic viewfinder, the M6 II is well built. Image credit Tom's GuideA deep grip provides a solid handhold with a comfortable fit. The slightly angled shutter button, which is surrounded by main dial, is perfectly positioned for your forefinger, making it convenient to quickly grab a shot. Dual dials, the main front and quick control rear, are within easy reach. They’re used for conveniently and efficiently adjusting shutter and aperture, as well as scrolling through menus and changing other settings. Image credit Tom's GuideWhile all buttons and dials are located on the right hand side of the camera, they are logically arranged and easy to access. Although photographers with large hands should try the camera on for size before purchasing, external controls are a usable size for most EOS M6 Mark II TouchscreenThe Canon EOS M6 II’s 3-inch touchscreen is highly responsive. The touch function can be disabled or set to one of two levels of sensitivity. I found that the default “standard” sensitivity worked perfectly.Image credit Tom's GuideIn addition to touch autofocus and shutter release, the touchscreen can also be used to navigate menus and change settings. In Playback mode, you can swipe to review images and pinch to zoom. Of course, you can use hard controls for menus, settings and playback functions but the touchscreen is a convenient what I really like about the M6 II’s touch operation is the ability to choose the focus point while using the optional electronic viewfinder EVF. This allows you to steady the camera with the EVF at your eye and tap and drag the focus point. Better yet, you can designate which part of the touchscreen is active. For example, you may find it easier if the upper left is touch sensitive and use that area for moving the focus point. I generally chose the whole panel and found that even when my nose was pressed against the LCD, there was no accidental movement of the point. These choices are only available in the menu system when the EVF is attached. Otherwise you have the basic touch/touch shutter EOS M6 Mark II PerformanceEven with its 32 MP sensor, this little camera is fast, shooting up to 14fps with auto exposure and autofocus. Tracking works pretty well although continuous AF can’t always keep up with a shooting speed of 14fps, so some images may not be in focus. Drop the continuous shooting speed to 7fps, and you’ll have a higher percentage of in-focus shots. At both speeds, the buffer clears fairly quickly and you can continue shooting while images are written to the SD card.Image credit Tom's GuideNew for the M6 Mark II is the RAW burst mode, which pushes the camera to 30fps. You’ll end up with cropped 18MP images but when you feel the need for speed, give it a try. And, the camera starts shooting seconds before you fully depress the shutter, so if the action happens a little early, you’ll still get the dual pixel AF, like that found during our Canon EOS 90D review, auto focus performance is quite good as well. Even in lower light, the focus tends to lock in quickly, especially for single point AF. Face detection and eye AF are generally fast and EOS M6 Mark II Image qualityOverall, image quality is quite good. Straight out of the camera JPEGs are usable with little to no processing, though you can also capture images in the RAW test shots were captured using the Standard Picture Style, although a number of other options are also available including Auto, Portrait, Landscape, Faithful, Detail and Monochrome. Parameters, such as sharpness, are adjustable for most styles. And, you can even create three user-defined mid-winter outdoor shooting is more monochrome than colorful, a blue-sky-with-clouds and a yellow road edging show that the Canon M6 II re-creates colors that are pleasing and 1/200th sec., ISO 160 Image credit Theano Nikitas/Tom’s Guidef/ 1/200th sec, ISO 160 Image credit Theano Nikitas/Tom’s GuideSkin tones under LED lights were nicely rendered as well, even with auto white balance. You may have to make adjustments either to your WB setting or process the RAW image depending on your lighting 1/125, ISO 160 Image credit Theano Nikitas/Tom’s GuideThe Canon EOS M6 Mark II exhibited good dynamic range. Details in shadow, such as those on the wooden boardwalk, and highlight areas were well maintained despite the high contrast areas. f/ 1/200th sec., ISO 160 Image credit Theano Nikitas/Tom’s Guidef/8, 1/250th sec., ISO 160 Image credit Theano Nikitas/Tom’s Guide 1/320th sec., ISO 160 Image credit Theano Nikitas/Tom’s GuideI’m not sure the 15-45mm kit lens was capable of pulling out the most of the M6 Mark II’s 32MP resolution, but the little lens managed to record some fine details in many of my test shots. For example, although this bridal dress on a mannequin was a little underexposed, you can see the weave of the material covering the mannequin as well as the dress. f/ 1/100th sec., ISO 1000 Image credit Theano Nikitas/Tom’s GuideThe details of this wooden barn were sharp and crisp. The camera also did a good job of capturing the texture of the wooden slats. f/ 1/320th sec., ISO 160 Image credit Theano Nikitas/Tom’s GuideLow light/high ISO shots were cleaner than expected given the sensor’s high resolution. The image below was shot at ISO 6400 and the exposure was adjusted in Adobe Camera Raw. Blown up to 100% about 23 x 15 inches, you can see substantial noise but the bubbles in the beverage are still visible. For online use or smaller prints, high ISO images look 1/100th sec., ISO 6400 Image credit Theano Nikitas/Tom’s GuideCanon EOS M6 Mark II FeaturesThe M6 Mark II has a long list of features ranging from the standard auto and manual exposures to customization options, peaking, white balance fine-tuning and more. At the same time, the camera is easy to use thanks to built-in help that explains each shooting mode.Image credit Tom's GuideCanon menu systems are excellent. They are logically arranged and easy to navigate so even beginners are able to explore the camera’s various settings and shooting options. With built-in RAW processing, users who don’t have the time, inclination or skills to “develop” Raw files in separate software can quickly edit these files with ease. And photographers who want to effortlessly explore their creative side will make good use of the M6 Mark II’s filter effects mode. In addition to funky effects that simulate fisheye and watercolor paintings, you’ll find several HDR high dynamic range options including HDR Embossed like the one below. There’s also Grainy B&W below, Soft Focus, Toy Camera and Miniature effects. These are quick, easy and fun to 1/500th sec., ISO 100 Image credit Theano Nikitas/Tom’s Guidef/ 1/320th sec., ISO 100 Image credit Theano Nikitas/Tom’s GuideConnecting to a smartphone via the Canon Camera Connection app Android and iOS is seamless. This allows you to transfer images and video and operate the camera remotely. And be sure to check out our picks for the best photo editing software, as well as the best photo editing EOS M6 Mark II Video performanceThe camera’s video features are pretty standard but more than sufficient for most casual recording. In addition to uncropped 4K 3840 x 2160 at 30p, the M6 Mark II offers full HD 1920 x 1080 at 60p and 30p, HD 1280 X 720 AT 60p along with HDR movies and 4K and Full HD time-lapse movies. There’s also a 120 slow motion option and a microphone quality is good with accurate colors. Footage can be a little soft but you’re only likely to notice it on close examination. Keep in mind, though, that you’ll lose some quality if/when you opt for the digital image EOS M6 Mark II Optional electronic viewfinderWhen designing with size and price in mind, there are always compromises. We assume that’s why Canon decided to continue to use an optional electronic viewfinder the EVF-DC2, as it did with the M6, instead of a built-in electronic viewfinder like on the M5. Image credit Tom's GuideAlthough we understand the logic behind this decision, there are some issues to be aware of. First, if you use the EVF—which attaches to the hotshoe—you can’t use an external flash or mount a microphone on top of the camera. The latter may not be an issue unless you want to flip up the LCD for course, adding the EVF adds more bulk to the kit, partially negating its appeal as a compact camera. If you’re traveling, you could always remove the EVF and stow it in your pocket or camera bag but, still, it takes up a bit more space and then there’s the inconvenience of having to attach and detach it.Image credit Tom's GuideThe EVF is bundled with the M6 Mark III EF-M 15-45mm IS STM kit $1,099 and the EF-M 18-150mm IS STM kit $1,349 but you’ll have to budget an extra $200 for the EVF-DC2 if you buy the $850 body only version. Image credit Tom's GuideThe older EVF-DC1 $300, although not currently in stock at the Canon store, adds the ability to tilt the viewfinder.Image credit Tom's GuideAll that said, if you purchase one of the two kits, you’ll have the option to use/not use the EVF. With the EVF, you’ll be able to better steady the camera against your eye; without it, the camera maintains its compact size. It’s a personal preference and while testing I switched back and forth and ended up preferring shooting without the EVF. Canon EOS M6 Mark II Lens selectionAlthough I only tested the camera with the 15-45mm kit lens, with good results, it’s almost guaranteed that a higher end lens will deliver more detail and better image quality given the camera’s 32MP sensor. Image credit Tom's GuideWhile Canon offers eight M-mount lenses, all but two are slow with a maximum aperture of f/ or f/4. Fortunately, many are image stabilized. We hope that faster lenses are forthcoming in the future, with higher resolving power. Sigma offers a trio of fast, M-mount prime lenses 30mm f/ 16mm f/ and 56mm f/ all for less than $500. Still, by comparison, Sony has 50 lenses compatible with its a6000-series mirrorless cameras, although some of them are priced well over $1, M-mount adapter is available for $200, which allows you to use Canon’s EF and EF-S EOS M6 Mark II VerdictThe Canon EOS M6 Mark II is an appealing camera thanks to its image quality and high-speed performance. However, it has some stiff competition in this mid-range category of mirrorless the Canon M6 II tops the list when it comes to sensor resolution but, personally, I prefer the ergonomics and the color rendering of the Nikon Z50. Other options that are highly competitive across the board include the Fuji X-T30 and the Sony a6400. All three offer a built-in electronic viewfinder. The Fuji X-T30 beats the Canon M6 II’s shooting speed 20 vs. 14fps and the Sony a6400’s tracking and autofocus system is a bit faster and more accurate than that of the Canon M6 IIWhile each may have slightly different benefits and drawbacks, it’s a fairly level playing field. Think about what’s most important for your shooting needs and make a decision from there. At the same time, there’s an awful lot to like about the Canon EOS M6 Mark II. Other than the optional EVF issue, most people will be more than happy with this little camera. Theano Nikitas is a freelance journalist and photographer. She's been writing about photography for more than 20 years, contributing countless reviews of cameras, lenses, accessories and software packages to Tom's Guide. Her work has also appeared in dozens of other magazines and websites, including CNET, DPreview, PopPhoto, Professional Photographer and Shutterbug. Most Popular Sobre a loja A Bella Photo é uma loja de equipamentos fotográficos desde 1999. REVENDA AUTORIZADA CANON. Câmeras Canon CINEMA / PROVIDEO / VIDEO PROFISSIONAL. Especialista Canon, Nikon, SanDisk, Sigma,Sony, Sekonic. Conte com toda a credibilidade de mais de 24 anos de história. Compre no site receba em casa. Horário de Atendimento Segunda a sexta-feira exceto feriados, das 9h às 18h. TechRadar Verdict There’s a lot to like about the Canon EOS M6 Mark II. Its small size and low weight make it the ideal traveling companion, without compromising on specs and features, and a super-high resolution APS-C sensor, 14fps shooting and uncropped 4K add up to one tasty package. We have a few reservations, but overall it’s a fantastic camera that's well worthy of consideration. Pros +Great size for travel +High-resolution APS-C CMOS sensor+Fast max burst rate Cons -No built-in viewfinder -Screen only tilts-Relatively limited native lens range Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test. Launched at the same time as the Canon EOS 90D DSLR, the EOS M6 Mark II is not only an evolution of the previous M6; in some respects it's a miniature 90D, as the two cameras share the same sensor. Canon’s M range of mirrorless APS-C cameras have been playing second-fiddle to its full-frame options lately, and while some of Canon’s M-series models are underrated, decent performers, the original M6 arguably wasn't the easiest to fall in love with. The EOS M6 Mark II represents a fairly dramatic overhaul of that camera and is among the best beginner mirrorless cameras to consider, as well as being one of the best Canon cameras. Canon's decision to place a high-resolution sensor inside a miniature body along with a range of impressive action-friendly specifications is a fairly bold move for a model which might otherwise only appeal to travel photographers. The M6 Mark II isn't only replacing the M6, but also, apparently, the EOS M5. Unlike the M6 the M5 came with a viewfinder, and you can purchase a detachable OLED viewfinder either separately, or as part of a kit package if that's a feature you like to have.Image credit FutureSony Cyber-shot RX100 VII specsSensor APS-C CMOSScreen tilting touchscreen, million dots Burst shooting 14fps / 30fps RAW Burst modeAutofocus 143 phase-detect points Video 4K UHD up to 30fps/ 1080p Full HD up to 120fpsConnectivity Wi-Fi, Bluetooth, USB-CBattery life 305 shotsWeight 408g including battery and memory cardFeaturesNew CMOS sensor14fps shootingUncropped 4K video recordingThe sensor in the EOS M6 Mark II gets a dramatic boost in resolution over the one in the M6, packing more pixels than ever before on a Canon APS-C sensor. To go with it, there’s the latest Digic 8 processing engine, which gives the M6 Mark II an impressive speed boost over the M5 and the M6 – specifically 14fps shooting with continuous autofocus at full resolution. A 30fps raw burst mode is also available, if you can live with 'just' 18 megapixels. Another welcome improvement is the addition of uncropped 4K video recording, and this, along with its tilting screen, microphone socket and small size, could make the M6 Mark II an interesting choice for wise, we’ve got some new functionality in the form of eye-detection, which we've seen previously on Canon's EOS R and EOS RP full-frame mirrorless models – although don’t expect to use it for more than one subject. When it comes to design, Canon has essentially refined what it already had. It’s ditched the exposure compensation dial on the top plate to equip the camera with a Dial Func control which can be switched up to control a variety of 10 best compact cameras you can buy right now Current page Introduction and features Next Page Build, handling and autofocus Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar. Most Popular First Impressions Taken in isolation, the Canon M6 Mark II is shaping up to be a very good all-rounder for travellers or street photographers who already have a stash of EF-M or EF lenses and are looking for a mini DSLR. The trouble is, as impressive as this camera’s specs are, they’re not drastically better than rival cameras that have either better native lens ranges like Fujfilm’s X Series or superior autofocus in the case of Sony’s A6400. In some ways, the M6 Mark II’s enthusiast-leaning controls and handling also feel a little at odds with its lack of a built-in viewfinder, which makes it feel like a slight shame that it didn’t also announce a Mark II version of EOS M5. Still, if you’re looking for a small, relatively inexpensive companion to your Canon DSLR and don’t mind using it with an EF-EOS M adaptor, it could well make sense as a frictionless option that feels and performs like a mini Canon 90D. We’ll bring you our full verdict very soon. Key Specifications Review Price £ body only APS-C sensor Dual Pixel CMOS AF system with Face and Eye AF Compatible with EF lenses via an adaptor 14fps burst shooting or 30fps Raw shooting with electronic shutter 3-inch tilting touchscreen Compatible with electronic viewfinder EVF-DC2 Canon’s launch of the EOS M6 Mark II sums up its approach to mirrorless cameras so far – it was announced alongside the Canon 90D, a DSLR that packs the same powers into an old-school design. With one eye on preserving its DSLRs, Canon has never really gone all-out on APS-C mirrorless cameras. Still, the EOS M6 Mark II might be the first time it’s launched a travel-friendly mirrorless model that doesn’t feel intentionally hobbled in some way. This viewfinder-less alternative to the EOS M5 doesn’t reinvent a weight class that’s led by the Sony A6400 and Fujifilm X-T30. But the M6 Mark II brings strong resolution, burst shooting and video upgrades that make it a promising option for owners of EF-M or EF-S lenses who fancy a street photography camera that doesn’t break the bank or the back. I spent a few hours with one in the challenging conditions of an indoor go karting track to see if it’s shaping up to be Canon’s best small, mirrorless camera so far… Related Best mirrorless cameras Design – The M6 Mark II’s bigger grip gives you a better handle on things The EOS M6 Mark II is a handsome, well-built camera for enthusiast photographers that doesn’t radically depart from its predecessor. There are two main design changes. One is a bigger grip, which makes it very comfortable to hold, particularly with longer lenses like the 18-150mm I mostly used it with. This means it handles better than most cameras of this size, particularly if you’re coming from a DSLR, with the grip noticeably bigger than the ones found on the Panasonic GX80 and Fujifilm X-T30. On the downside, it’s also slightly bigger and heavier than those rivals. As if to confirm that the M6 Mark II is courting advanced photographers rather than the point-and-shoot crowd, the other new features are an MF-AF switch on the back and a new customisable rear dial. Together, this all adds up to a very complete, intuitive control system that’s ideal if you like to shoot in manual or fine-tune settings while you shoot. Still, there is one big feature missing for advanced shooters – an electronic viewfinder. Like its predecessor, the EOS M6 Mark II does work with the EVF-DC2. This costs £187 when bought separately, though Canon will bundle this in the box when you buy the camera with the 15-45mm kit lens. I suppose this setup does give you the choice of trading the viewfinder for improved portability, when conditions suit. But given that the M6 Mark II still isn’t exactly pocketable without the viewfinder, it feels like advanced photographers might still be more attracted to the Canon EOS M5 or waiting for a Mark II version of that camera. Still, if you’re not too bothered about the lack of a built-in viewfinder, this side-by-side shows how much smaller the M6 Mark II is than the 90D, which is virtually its specs and features twin. Related Best camera Specs and features – A big upgrade on the M6 and a good all-rounder for the price The M6 Mark II might not have changed much physically, but it has been given a pretty serious boost under the hood. Like the Canon 90D, it pairs a APS-C sensor with Canon’s latest Digic 8 processor. What does that mean in the real world? Despite that extra resolution, it means you get improved burst shooting up from 7fps to 14fps for a better hit-rate when shooting action scenes, and the ability to shoot 4K video without a crop. Those aren’t the only boosts to burst shooting and video either. If you don’t mind using an electronic shutter which always brings the danger of rolling shutter, then you can shoot at up to 30fps in Raw. There’s also now a 120fps slo-mo mode when shooting video in Full HD, as well as Eye Detection AF when shooting with continuous autofocus in stills and movies. This all adds up to a very feature-packed camera for this price and, in practice, the M6 Mark II mostly lives up to its generous spec sheet. It’s fast and responsive, both in terms of start-up time and autofocus, and locked onto subjects well in the very tough conditions of a dingy, indoor Go Karting track. If anything, the performance is restricted most by the lack of native EF-M lenses. There are still only eight native lenses for EOS M cameras, with a distinct absence of exciting primes. Of course, you can always add the EF-EOS M adaptor an extra £135 to unlock Canon’s huge range of EF-M lenses, but this adds size and expense to a camera whose big appeal is supposedly lowering both of those things. Are there any other missing features? It’s a shame the M6 Mark II doesn’t have a fully articulating touchscreen like the Canon 90D, and without a headphone input it’s vlogging credentials are limited compared to its DSLR sibling. There’s also no in-built image stabilisation, though most EF-M lenses have built-in IS and this isn’t a feature you’ll find on the more expensive Fujifilm X-T30 or the Sony A6400. If you shoot a lot of handheld video or low light photos, then you’re better off looking at something like the Panasonic G90. Related Best vlogging cameras Image quality – Solid performance, but held back by native lens limitations It’s too early to make any final judgements on the M6 Mark II’s image quality, but so far it appears to follow in the footsteps of its predecessor – which means means reliable exposures with good pleasing colours, albeit without the sharpest detail around. The big benefit over the original M6 is less in image quality although that extra resolution is handy for cropping, but in the variety of images you can take. That boost to the burst shooting means the M6 Mark II is a potentially handy camera to have on hand in demanding action scenes, like Go Karting. Not every frame will be a keeper, of course, and Dual Pixel AF is less stellar at locking onto subjects that aren’t clearly contrasted with the background, but it certainly boosts your chances of getting a shot. The big bottleneck, as always, is lenses – without many native fast primes or constant aperture zooms in the EF-M lineup, you’ll likely need to adapt an EF-S lens to tease out the best performance and image quality from the M6 Mark II. The 18-150mm lens I used for most of these shots was pushed to its absolute limit by the gloomy conditions, so I’m looking forward to testing out the M6 Mark II with some faster lenses. We’ll bring you our full verdict very soon. A ’hands on review’ is our first impression of a product only - it is not a full test and verdict. Our writer must have spent some time with the product to describe an early sense of what it’s like to use. We call these hands on reviews’ to make them visible in search. However these are always unscored and don’t give recommendations. Read more about our reviews policy.

canon m6 mark ii